Dear writers, how many narrative voices do you use? What is the difference between finding your voice and employing a narrative voice? These and many more questions I am examining as I write a book that is fast becoming a memoir.
I work hard to find times of angst. Doing so takes me back in time. Who said there are no time machines?
Some days I flounder against angst’s mother ship. I produce a whiny narrative voice. What is that? Not good I think.
In all instances, I try to include a voice that can express humor. I am hoping that by doing so I will find a sound that can appraise up close and at a distance in conversational tones.